Hannah Hughes (b. 1975) is an artist working primarily with collage, photography and sculpture. She graduated from the University of Brighton in 1997, and has since exhibited in the UK and internationally.
Group exhibitions include: 'Shapely', (two person show) CSA Space, Vancouver, BC, (2011); ‘In The Future We Will All Be Modern’, Arcadia Missa, London (2014); ‘A5’, LUBOMIROV EASTON/Platform Projects at Art Athina, Athens (2014 & 2015); 'Where One Form Began Another Ended', (two person show) The Bakery Gallery, Vancouver, BC, (2016); The Pie Factory, Margate, (2017); 'These Fingers Read Sideways', Fettes College, Edinburgh, (2018); ‘Concealer’, Peckham 24 Festival, curated by Tom Lovelace, Copeland Gallery, London, (2018); ‘The Momentum’, curated by Saturation Point, Angus-Hughes Gallery, London, (2018); ‘A Romance of Many Dimensions’, Sid Motion Gallery, London, (2018); Photo London, (Sid Motion Gallery, 2019); ‘The Office of Revised Futures’, Format Festival, Derby, (2019); ‘New Formations’, Catherine Edelman Gallery, Chicago, USA, (2020); Art Rotterdam, NL, (Galerie Wouter Van Leeuwen, 2020); ‘The State of Things’, curated by Rodrigo Orrantia, Landskrona Festival, Sweden, publication and exhibition 2020/2022; ‘Super Flatland’ curated by Paul Carey-Kent and Yuki Miyake, White Conduit Projects, London, 2020; ‘Gleaners’, a two-person exhibition with Olivia Bax at Sid Motion Gallery, London, Nov 2020-Jan 2021; ‘Pacific Breeze’, White Conduit Projects, London; and ‘Summer Camp 2021’, Eastside Projects Stream Digital Platform (Online). Her work is included in an experimental publication by Rodrigo Orrantia, 'Material Immaterial’, which has included performances at Cosmos, Arles and Offprint, Paris.
Her work has been published in the FT Weekend Magazine, AnOther.com, Art Licks Magazine Issue 25, ArtMaze Magazine Issue 22, the RPS Journal, Trebuchet, Photomonitor and the British Journal of Photography and she has been interviewed on the Art Fictions Podcast and Chats with Artists in Lockdown podcast. Her work is also featured in the publication ‘Look At This If You Love Great Photography: A Critical Curation Of 100 Essential Photos’ by Gemma Padley, published by The Ivy Press, 2021.
instagram: @_h_annah_hughes